Mary White (ceramicist and calligrapher)

For other people named Mary White, see Mary White.

Mary White, née Rollinson, is a ceramic artist and calligrapher.

She was born in 1926 in Croesyceiliog, Wales. From 1949-1950 she studied at Goldsmiths' College and in 1951 she married painter Charles White (d.1997). She was made a fellow of the Society of Scribes & Illuminators (SSI) in 1962[1] and later the Letter Exchange.[2]

During the early 1970s she taught at Atlantic College, Glamorgan.[3] After teaching for twenty years in Grammar Schools and Art Colleges and Atlantic College, she gave up teaching in 1973 to work freelance.

In 1975 she was invited to take part in an international symposium in Cardiff, Wales and had the opportunity to experiment with porcelain. She developed wide-flanged bowls, extending the thin rims to breaking point. She also found the possibilities of using colours in glazes instead of more usual warm browns that she had been using for tableware. This marked a great change in her work. turquoise became her favourite colour, at first pure, and then with subtle variations. She began to make more individual pieces and by the time she and her husband, painter, Charles White, moved to Germany in 1980 she rarely made tableware. In 1982 she was awarded the Staatspreis Rheinland-Pfalz for outstanding craftwork.[3]

Before the move to Germany, Mary White had occasionally exhibited calligraphy with the SSI and had used letters on bowls, mainly painted in lustres. In Germany she could not find the market for these and at that time had no contact with German calligraphers so for many years she concentrated on ceramics. In the early 1980s Mary White began to make organic forms in porcelain, partly hand built. She used the clay as thin as possible, almost like torn paper and assembled it in layers,. Ideas come from the layers of rock on the seashore, shells and waves rippling over the sand and colours in the sea and sky. She prefers to make shapes that are oval rather than round. In 1990 she became involved with calligraphy again and attended an International symposium in Belgium. Under the influence of a master calligrapher, Villu Toots[4] from Estonia, she regained her enthusiasm for calligraphy and now experiments with combining the two artforms.[5]

Her work is collected internationally and appears in museum collections, including the Victoria and Albert Museum, London and the Musée des Arts Décoratifs, Paris.[3]

Published works

Lettering on Ceramics, 2003,[6] reviewed in [7]

References

  1. ^ "Fellows of the Society of Scribes and Illuminators". Society of Scribes & Illuminators. http://www.calligraphyonline.org/_records.php?s=112&np=16. 
  2. ^ "Mary White, member, the Letter Exchange". http://www.letterexchange.org/members/98.html. "a society for professionals involved in the whole spectrum of the lettering arts and crafts, from calligraphy and letter-cutting"  (includes photographs of lettered ceramic works)
  3. ^ a b c "The Ceramic Collection, Biographies of ceramicists". University of Wales, Aberystwyth. http://www.aber.ac.uk/ceramics/gendered/biographies/ullaviotti.htm#mw. 
  4. ^ "Some works of Villu Toots" (in Estonian). http://www.raamatukoi.ee/cgi-bin/isik?8276. 
  5. ^ letter from Mary White to Ruth Marler, 24 October 1999
  6. ^ Mary White. (2003). Lettering on Ceramics. A & C Black. ISBN 0713662646. 
  7. ^ "Review of Lettering on Ceramics". Ceramics Monthly 52 (2): 26. February 2004.